#Paula abdul straight up karaoke full#

Stamos has played up those rumors himself, but the timelines donвЂ™t match up вЂњCold HeartedвЂќ was already out in the world when Abdul and Stamos got together. Working on вЂњCold Hearted,вЂќ Wolff tried to write from a womanвЂ™s perspective, and he apparently did well enough that people believed for years that Abdul had written вЂњCold HeartedвЂќ about John Stamos, the actor who she briefly dated. вЂњCold HeartedвЂќ came from Elliot Wolff, the same gawky white guy whoвЂ™d written and produced вЂњStraight Up.вЂќ Wolff and Abdul only made two songs together, and those two songs were вЂњStraight UpвЂќ and вЂњCold Hearted.вЂќ When AbdulвЂ™s label bosses at Virgin heard вЂњStraight Up,вЂќ they asked Wolff for another song, and Wolff wrote вЂњCold HeartedвЂќ quickly, specifically for Abdul. Instead, вЂњCold HeartedвЂќ became Paula AbdulвЂ™s third straight #1 hit. If вЂњStraight UpвЂќ hadnвЂ™t gone anywhere, then вЂњCold HeartedвЂќ easily couldвЂ™ve been just the second-to-last song on some choreographerвЂ™s flop album. After вЂњStraight UpвЂќ and вЂњ Forever Your GirlвЂќ both reached #1, Paula Abdul still had more.

#Paula abdul straight up karaoke full#

After the dizzy success of вЂњ Straight Up,вЂќ though, people figured out that Paula Abdul had made an album full of bangers. It took a while for AbdulвЂ™s debut album Forever Your Girl to get off the ground. Paula AbdulвЂ™s pop star reign wasnвЂ™t long, and people made jokes about it for years afterwards, but she understood that fundamental truth. In that scenario, youвЂ™ll be in a much better position if youвЂ™ve got a few more songs that could, at least theoretically, become the highlight of some peopleвЂ™s nights. But letвЂ™s say you do have one song that sneaks through and finds an audience and blows up. What you can do is make sure that every song on your album slaps. You can work and plan and strategize all day, and the odds say that your record will probably still end up as a forgotten relic.

Pop-chart success is a matter of timing, of tiny shifts in the cultural zeitgeist that canвЂ™t be predicted and maybe canвЂ™t even be perceived in the moment. ThereвЂ™s no marketing plan to ensure that an album will catch on, that a bunch of its songs will land on the charts. You canвЂ™t engineer an album thatвЂ™ll be guaranteed to spin off multiple hit songs, especially if youвЂ™re a debuting artist. In The Number Ones, IвЂ™m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chartвЂ™s beginning, in 1958, and working my way up into the present.